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The best video recording applications for your iPhone "iOS & iPhone :: Gadget Hacks



If you have a modern iPhone, you have an excellent video recorder at your disposal. Every iPhone since 6 S has the ability to shoot in 4K resolution, and each new iteration has got new opportunities to the table. But even the best mobile shooter can use some extra help. This is where these video game apps are recorded, to ensure the movie you play is as good as possible.

What do third-party videos do? They hand over all of your iPhone's camera controls to you, not just the few that can be accessed for the built-in camera application on iOS. Third-party applications can unleash your camera's full potential, giving you manual control over focus, ISO, shutter speed, bitrate and more. But it goes beyond that. These apps also add additional tools iOS does not make tools that professional videographers use every day.

The five programs below vary between features and pricing. No app will work for everyone. Therefore, we broke down all the important notes in a comprehensive chart below. Take a look at where each app is on the chart, take a look at the distribution for each app and use both to determine which one is best for your projects, regardless of social media, home movies, short films or features.

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Comparison table

Important comparison points

General

  • Price for paid version: All apps on this list, whether they have a free version, also has a paid version. Prices range from $ 2.99 to $ 14.99.
  • Free version available: Does the app have a free version? Only two of the programs on this list do.
  • Free test: If there is a paid proversion, is there a free trial to test it? Only one app on this list does.
  • Purchases in apps: Some apps include their paid versions as "app purchases", while others contain additional features on top of the original payment for the app itself. [19659012] Watermark: If there is a free version, it is a first watermark on saved videos, so you are better off paying to remove it because watermarks do not do you good.
  • Editing Tools: The apps in our list are mainly for recording content, but some of them also contain editing tools, so you don't have to jump to another app to merge your photos. While no replacement for a full video editor can be used, these tools can be helpful for quick trimming, color correction and so on.
  • Often updated: If the app is frequently updated in the App Store, it is a good sign that it is worth the investment. Most of these apps are with only one that released the ball.

Camera Settings

  • Creating Presets: Consistency is the key if you shoot multiple shots and take the same scene, so you change the settings that match can be a waste of time. An app that lets you save your current shooting settings as presets provides quick and easy access to matching images.
  • Control Trigger Speed: Shutter speed is how fast the shutter opens and closes when shooting a movie frame. Usually you want your shutter speed to be reversed by your frame rate (eg 24 fps should have a shutter speed of 1/48, 30 fps should be 1/60, etc.).
  • Control ISO: ] ISO can be used to electronically control the brightness of your video. The brighter you go, the more video interference you see, so remember before using the setting.
  • Control Exposure: With all video recording devices, you can control exposure – commonly called EV (Exposure Value) – that lets you raise or lower ISO and shutter speed in consensus. Use this if you want to make adjustments to the total exposure without having to use ISO and shutter speed independently.
  • Flicker Options: If you shoot in the United States, 60 Hz what you want to use because that is what the US power networks. When you are in other countries where the power grid uses 50 Hz, you want to shoot this option. Otherwise, if you shoot light on a 50 Hz network at 60 Hz, you get some light flickering on the screen.
  • Set up automated focus: Automatic controls, sometimes called pull-to-points, let you set a start and end point for a tool, in which case focus so that you don't have to touch the controls when you concentrate on photographing.
  • Set automatic zoom: As with automated focus, some apps allow you to set the start and end points of the zoom, which will be automated during recording so you don't have to worry about poking around while zooming while you photograph.
  • Set automatic ISO: As you might guess, this setting is just like the automatic focus and zoom settings, where you can drag the ISO controls automatically during recording.
  • Set automatic shutter speed: The following steps follow automatic focusing, zooming and ISO, this control will allow you to set automatic start and end points for shutter speed during shooting.
  • Aspect Ratio: A screen guide overlays the black bars of your viewfinder (ie, the screen) to help you frame the image outside the traditional 16: 9 rectangle that the phone loves you can shoot in aspect ratios such as 2: 39: 1, 17: 9 and 4: 3. Each app offers different options, while some have zero.
  • Crop on aspect ratio: Does the app allow you to automatically cut the video to your selected monitor guide? Usually, this means that you still see the full frame below the display manual, but it will crop the final output accordingly.
  • Video mode only: Smartphone sound can be terrible. If you use other ways to record audio, including external microphones connected to your iPhone, you may want to use this mode to record without sound.
  • Start / Stop recording with volume buttons: When you are in the standard camera app with the video function open, you can click a volume button on the page to start and stop recording, which is useful if you keep the iPhone in a certain way where it is difficult to reach the recording button. This is also a useful option for third-party applications to adopt. If the app allows you to do so, you can also start and stop recording with the volume buttons on wired headphones connected.
  • Video Timer: A video timer delays recording for a certain time after you press the record button. This can be especially useful if you need to film yourself and do not want a longer amount of pictures to run when you enter the position. More useless photography means more storage space eaten up.
  • Prevent accidental start / stop: On an iPhone, the touch screen is quite sensitive, so it is easy to tap the record or stop button accidentally. Imagine playing a big scene that turned out perfectly just to realize that it stopped recording halfway. This is why this setting is so useful, because you need to press and hold the recording button for a long period of time before you start or stop recording.
  • Anamorphic Mode: Most large Hollywood films shoot with anamorphic lenses, where a widescreen image is expanded to fill the entire movie frame. When editing or projecting with a special lens, the movie returns to the widescreen ratio. This happens so that you have higher quality of the whole picture. If you only shoot widescreen without an anamorphic lens, the film frame would have black bars at the top and bottom, and the actual images would only take up part of the frame, resulting in lower overall quality. The same concept applies to iPhone videos. With an anamorphic lens turned on and anamorphic mode enabled, you can see your display format as it should, but the images are squashed to fit the iPhone's sensor. Without the right lens, it will record video in a distorted way, so remember it.
  • De-Squeeze Output: If the app supports anamorphic photography, does it also support cutting the video when saved to your iPhone storage? This means that your video, when blacked out, will look like a traditional video file without stretching or manipulation. Apps that do not offer this option require you to pin out the movie with another app to make it useful.
  • Flip / Rotate: Some apps allow you to rotate or rotate the video on the screen. This translation is necessary when using some DSLR lenses with your iPhone. When used with a DSLR, these lenses rotate the image to work with the incorporation of the DSLR so that it is properly displayed and recorded. When using these lenses with your iPhone, the image is displayed upside down. Turning the video in advance will solve the problem.
  • Level (Tilt Indicator): A gradient indicator is a tool displayed on the screen to help you keep your shooting level and balanced. As you unconsciously tilt the camera from the shoulder, this tool will let you know that you are unbalanced and will help you guide you back to a perfect level orientation.
  • Overlay guides: Overlay guides, like tilt indicators, help you Keep your shot framed just right. Guides can range from simple lines to help you frame topics that follow the common "rule for thirds", while others offer frequent grids for professional framing.
  • Enable / Disable EIS: New iPhones come with some form of EIS, or electronic image stabilization, which uses software to try to correct shaky videos. Some apps let you disable this option, which is useful when using a gimbal or other external stabilizer. No apps can let you disable OIS or optical image stabilization on the iPhone, which would also be nice when using a handheld gimbal or stabilizer.
  • Take a photo in video mode: In the storage on your iPhone, you can take a snapshot while recording a video. This is useful when you pre-shots in advance to get a feel for the maneuvers needed, while sharing pictures of what it will look like the director. It's also great for advertising purposes, to get a quick snapshot during filming, so you don't have to make any additional pictures just for snapshots. If an app has this, you can expect it to work as your iPhone's original camera app. When playing in 4K resolution, still images will be approximately 8 MP. The quality is reduced if you shoot in lower resolutions.
  • Time-Lapse: Sped up footage over a day is created with photography photography, where you can take one shot per second or one picture every 5 minutes. Playing the images together results in the events being thrown up, which indicates that the time has gone in a very visual way. Some apps have the same controls as the built-in camera program, while others go beyond.
  • Choose which lenses to use: Your iPhone has up to two rear camera lenses, depending on the model. With the app you can choose which lens to shoot at any time? This is especially useful when using external lenses because you can only mount a lens on a lens, and that would be the lens you want to choose.
  • Automatic Lens Switching: Like the built-in camera program, does it make the App switch lenses when zoomed depending on light levels? This can be positive, but it is usually seen as a disadvantage, as it removes manual control over your lenses and can change the appearance of your video halfway through photography. But we rarely see this, so it's not a big issue to fight.
  • Hide recording interface: When you actually take pictures, you probably already have all the settings you want how you want them, so focusing on what lies ahead of the camera can be the bigger deal when you record records . Most of the programs on this list give you some option, either manually or automatically, to hide screen elements you do not need when recording.
  • Integrated accessories: While all apps should support accessories, such as gimbals and lenses, some have integrated support in-app, allowing these devices to take control of the app, or vice versa.
  • Remote Control App: If you are also in front of the camera or if you place your camcorder in a shot where it is difficult To navigate and use the controls, a remote control will be useful. It is possible that all these apps can start and stop recording with a cheap Bluetooth remote control, but only one app on this list has a complete remote control that lets you control almost anything from another iOS device.

Resolution presets and image rates

  • 4K Max: This is a unique resolution setting for ProCam 6, which takes high resolution images and puts them together in superior 4K resolution. How the effect works is up to debate. Because the images take pictures, the frames per second are limited to only 24, 25 or 30.
  • 4K: This refers to the best quality that iPhone can shoot as standard – ultra high definition – which is 4032 x 2268 pixels. The iPhone caps out 4K recordings at 60 frames per second, and there are no apps on this list that can redo it. The frame rate maximizes at 60 fps for this resolution.
  • 3K: This is not a very often used term, but Filmic Pro calls it so that we will make it simple and stick to it. It is usually 3100 x 1800 pixels or 1800p, but another app is similar to 3264 x 1836. The frame rate maximizes at 60 fps for this resolution.
  • 2K: Like 3K, 2K is not used very often to describe this level or resolution for video recording. Filmic Pro uses it to describe 2560 x 1440 or 1440p, but it's more like 2.5k if you want to be technical. Another app is closer to 2K at 2048 x 1152 pixels, which should only be used when you intend to cut down to a typical format. The frame rate maximizes at 60 fps for this resolution.
  • 1080p: This is your standard full HD resolution used today and 1920 x 1080 pixels and is used by almost everyone for video clips to appear on phones and TVs, whether it's a social media video or TV show . The frame rate can go anywhere from 24 to 240 fps.
  • 720p: This is the beginning of the high definition at 1280 x 720 pixels, and it is supported on most devices. But if you are going to shoot in HD you can just as well go with 1080p. The frame rate can go anywhere from 24 to 240 fps.
  • 540p: Just one step at 480p, this resolution setting is 960 x 540 pixels and was common 7-10 years ago. It was the beginning of the 16: 9 phase in mobile phones and elsewhere. The frame rate can vary between 24 and 60 fps.
  • 480p: This is standard resolution or SD, at 640 x 480 pixels. Unlike most of the above settings, this uses a 4: 3 aspect ratio, not a 16: 9 one. Think old TVs and you know what SD is. When shooting in 480p, you only get 24, 25 and 30 frames per second with the programs in this list.
  • Prices for non-standard frames: For apps that have regular frame rates, this means that you can choose something beyond the usual ones such as 24, 25, 30, 48, 50, 60, 96, 100, 120, 192, 200 and 240 fps.
  • Playback Frequency Options: Some apps give you a playback frame rate, which is the rate at which the slideshow is played, not what it was shot in. Ideally, prices will be the same, but you can also exit sync from a certain effect you want to achieve. Only one app on this list gives you frame rate options for playback.

Live Analytics

  • Zebra Stripes: Zebra stripes appear on areas of the image that are over or under-exposed, helping you show you how to show your shot. Lighting may need to be adjusted to get the right exposure.
  • Image Cutting: Picture Cutting is similar to Zebra Strip, but clipping illuminates areas of the image that are so over or under-exposed that no data can be fixed later
  • False Colors: Focus Picking: Focus Picking highlights the areas of the shot that is in focus, which allows you to keep the image sharp in the places you want.
  • Fake colors: If zebra stripes are not good enough for you, false colors give you a complete profile for your image exposure levels. Filmic Pro, for example, marks properly exposed areas as green, while they denote respective underexposed areas such as blue and red respectively.
  • Histogram: A histogram is a screen diagram showing the light levels of the image. The left side of the page is underexposure and the right side of the chart is overexposure, while the rest of the spectrum falls throughout the chart.

Temperature, color and tone settings

  • Gamma curves: Gamma curves offer you video footage based on color editing. Log-and-plate profiles look at first glance, but they take much more information from the camera's sensor, giving you much more flexibility when color correction yourself in the mail.
  • Manual white balance: White balance ensures that colors are displayed exactly between very different light conditions. If you want serious control, a good applet will let you control the white balance settings manually.
  • Color Temperature: If you do not plan to perform extensive color coding and color correction in the mail, changing the color temperature may correct when shooting, if the app lets you. This allows you to change the look of anywhere between a warm orange and a cool blue.
  • Tint Control: This goes hand in hand with the color temperature, but instead of allowing you to adjust from orange to blue scale, it allows you to control magenta to green colors.
  • UI color customization: Some apps allow you to customize the user interface, such as slope indicator lines and menu bars.

Audio

  • Audiometer: An audiometer is a visual tracer for the sound levels in your video. It can also be useful for personalization and to make lines and text more readable on the screen. Too quiet, and you won't be able to hear the recording. Too high, and you risk distorting the sound beyond repair. To avoid this, you should pay attention to sound cutting.
  • Audio Clip Indicator: This indicator – usually marked with red – lets you know if your audio clips, that is, are distorted. When you do, you will not be able to repair the distorted sound, so look at this indicator and try to keep your sound below this threshold.
  • Audio format options: Store Camera app records sound in either mono or stereo mode with 32 bit AAC track. Some of the apps here use Apple's default settings, but others also let you choose between non-compressed PCM and AIFF formats.
  • Test Courses (kHz): A sampling rate controls the quality of your video's sound. Standard sample rates for video files are 16, 44.1 and 48 kHz. However, some editing programs require a certain sampling rate, so it always helps to have multiple options. The iOS app can only let you use the 44.1 kHz stereo or mono.
  • Select Internal microphone: Depending on your iPhone model, it may have more than one pair of built-in microphones. Newer models come with three and to be able to choose which microphone you record sound from, makes the difference depending on where you are.

Video Formatting

  • HEVC Support: HEVC, or H.265, is a high-efficiency video codec that saves significant storage space when shooting. Apple's default camera app supports it, as well as most of the apps in our chart.
  • H.264: On the left side, H.264 is still the default code for smartphone videos. You may find that HEVC is not supported by a specific editing and playback software, so an app that can also shoot in H.264 is welcome.
  • Bit rate: Some apps allow you to adjust the bit rate, which is the number of bits, where 1 bit is equal to 8 bytes, transmitted per second. The higher the bit rate, the more data is recorded. We know that 4K is higher quality than 1080p, but a higher bitrate 4K video is better quality than a lower bitrate 4K video. Bitrate is measured in Mbps (megabits per second), equivalent to 1,000,000 bps (bits per second).

System

first Filmic Pro-Manual Video Camera

Undoubtedly, the most notable video recording app is for iOS Filmic Pro, and even professional filmmakers use it. Sean Baker Tangerine (2015) and Steven Soderberghs Unsane (2018) and High Flying Bird (2019) all were filmed on iPhone with Filmic Pro, among other films. We live in a crazy time where iPhone in your pocket can shoot content in Hollywood – you just need the right app.

Right of the bat is the first thing to note about Filmic Pro is that it is not cheap because it is a Hollywood-approved app. Compared to traditional software, Filmic Pro is not that bad, but at $ 14.99 it's not just the most expensive app on this list, but one of the most expensive programs you probably thought to buy. Unfortunately, there is no free version or trial, so you have to fork out the big money to gain access to Filmic Pro's professional arsenal.

If you have a little extra to spend, Filmic Pro also has a $ 13.99 in-app purchase called "Cinematographer Kit", which comes with features like log and gamma curves, but more about the latter. Filmic Pro offers no watermark and thankfully, updates are often updated with new features and bug fixes to keep your shooting updated.

Filmic Pro also comes with a good selection of editing tools. You can trim clip downsample clips; adjust for exposure, contrast, white balance, saturation and hue; Download the activity view (aka Aktieblad); and save to the Filmic Pro folder in your Photos app.

Now let's dive into real meat and potatoes. Filmic Pro is full of features, including manual controls for shutter speed, ISO and exposure. In addition, there is also a setting that allows you to choose between Auto, 50 Hz or 60 Hz lighting.

You can also set an auto-focus, zoom, ISO and shutter speed using the "pull-to-point" slider, the only app on this list to allow you to do so. focus and zoom connected, as well as shutter speed and ISO.What this means is that you can only select one from each group if you want to use two automatic settings at the same time, for example, you can automate focus and shutter speed, as well as zoom and ISO, but not focus and

Filmic Pro provides display aids that help you frame your images, eight in total – 16: 9, 17: 9, 3: 2, 1: 1, 2.2: 1, 2.76: 1, 4: 3 and 2.39: 1. You can choose to use the guides and the output at 16: 9 so you can crop later in the mail, or you can cut to your chosen aspect ratio directly.

There is also a video clip mode where you can shoot without any audio tracks and start and stop recording with the page volume buttons. The functions, as well as those below, can be saved as a preset for quick access at a later time. Otherwise, the next time you open the app, all settings will be reset to default.

Two missing features here are a video timer and a way to prevent accidental start and stop. But Filmic Pro has an anamorphic location, perfect if you have an anamorphic lens or adapter. Then, the app can pinch the video content in real time. You can also turn your video around if you use external DSRL lenses. There is no slope indicator, but you can use the third-party overlay wizard to adjust your shot just, and EIS can be enabled or disabled depending on the situation.

There is no support for taking photos while recording video, but you can shoot time-lapses directly in the app. With Filmic Pro you can control the frame rate here, so you can choose to have a time-lapse image taken every 1, 2, 3, 5, 10, 30, 45 or 60 seconds. You also have free tele to choose which built-in lens to use. Filmic Pro supports several third-party integrated accessories, such as DJI OSMO Mobile, Zhlyum Smooth 4, Movi Cinema Robot, Moondog Anamorphic Lens and 35 mm adapter. Filmic Pro also makes a comprehensive remote control patch.

Filmic Pro has the ability to hide overlay elements on the screen while recording. You can block what is in front of your camera from appearing in the viewfinder, which is handy if you connect to external monitors that you see instead. In addition, you can enable a function called "Point to hide interface" which does exactly what it sounds like – with it enabled you can tap the screen to hide and maintain elements. There is also an option to hide the focus and exposure booklets when you press to hide the rest of the interface. And you can also choose to hide the zoom selector.

For those who want to see all video data possible during filming, Filmic Pro is the way to go. The app is the only one that offers zebra stripes, image clipping and false colors and is one of two apps in this list to offer focus and histograms. Filmic Pro also takes the histogram cake by offering three modes: brightness, which measures light levels in the shot; composite / RGB, which measures color in the frame;

Fake colors in action.

At Amazon: DJI osmo Mobile 2 Handheld Smartphone Gimbal ” width=”532″ height=”532″ style=”max-width:532px;height:auto;”/>

19659108] If you stopped spending money on Cinematographer Kit, you get access to gamma curves, allowing you to shoot in different color profiles, a useful feature when du manuellt färgar redigering av dina bilder senare. Filmic Pro innehåller naturliga, dynamiska, platta och loggprofiler, de senare två används ofta i professionella inställningar med traditionella kamerauppsättningar. Om du tittar på att färga dina bilder, titta in i platt och logga före fotografering.

Filmic Pro hanterar självklart kontrollen över vitbalansen, temperaturfärgen och nyansen i antingen helt manuellt läge med automatisk vit balansera med en av fyra förinställningar eller välja mellan två anpassade förinställningar och du kan låsa vitbalansen på plats.

Medan du inte kan styra Filmic Pros UI-färg har du tillgång till de bästa ljudkontrollerna i biz. Du får en audiometer- och ljudklippsindikator samt möjlighet att skjuta med PCM, AIFF eller AAC, med samplingshastigheter på 16,0, 44,1 eller 48 kHz. Du kan också välja mellan bakre, främre och nedre mikrofon. Allt du behöver från ditt projekt, har Filmic Pro ditt ljud täckt.

Filmic Pro stöder både den nya HEVC-codec och den traditionella H.264, med det tidigare a-växlingsalternativet i inställningarna "Upplösning". Appen låter dig också styra bithastigheten, med två alternativ, "FiLMiC Quality" och "FiLMiC Extreme", vilket ger dig en högre bithastighet än Apples standard.

Oavsett om du har en traditionell iPhone-skärm eller en iPhone X-modell, Filmic Pro är optimerad för din enhet. Appen har 3D Touch Quick Actions på startskärmen för alla förinställningar du har aktiverat, men det finns ingen Siri Shortcut-integration (åtminstone ännu inte). Det finns en Apple Watch-app, som fördubblas som fjärrkontroll, och Filmic Pro kan geotag dina bilder om du vill. You can't control screen brightness in-app, but you can save your footage automatically to your "Camera Roll" for easy access.

When it comes to resolution and frame rate, Filmic Pro has presets ranging from 24 fps to 240 fps, depending on whether you're shooting in 540p, 720p, 1080p, 2K, 3K, or 4K resolution. You can see which applies to which in the chart. However, it also has a variable frame rate tool that lets you choose anything from 3 fps to 240 fps, depending on the resolution. Filmic Pro is also the only app on this list that lets you choose a playback frame rate.

When it comes down to it, no app out there can beat Filmic Pro when it comes down to features. Filmic Pro has nearly everything you need to push your iPhone to its cinematic limits. However, it is expensive, especially if you get the Cinematographer Kit, when compared to some of the other options on this list. If you're looking to save some money on your video recording app of choice, you might want to consider one of the apps below.

2. ProCam 6

Compared to FilmicPro's price tag, ProCam 6 really isn't that bad. For $7.99, you get a capable video recording app. However, you'll find it falls behind other names on this list in a handful of categories.

There's no free version of ProCam 6, nor is there a free trial. The app does offer in-app purchases; If you want to shoot in 4K Max resolution, which takes high-res photos and stitches them together in superior 4K resolution, you'll need to pay $4.99, as well as an additional $2.99 for 4K Max time lapses. There are also filters packs available from $0.99 to $1.99, which you can apply during editing.

Luckily, ProCam 6 skips the watermark, but that's a given with no free version. Better yet, the app is frequently updated, so you don't need to worry about new software or iPhone bugs getting in the way.

ProCam 6 also includes a vast selection of editing tools. You can crop, rotate, flip, trim, straighten and correct perspective for videos, as well as adjust brightness, contrast, saturation, exposure, white balance, highlights, shadows, tint, color balance, sharpness, fade, grain, and scratches. There are also free and paid color filters you can apply, as well as vignette, fisheye, tilt-shift, macro, split, kaleidoscope, ripple, striped, hatched, and halftone effects. You can add music, adjust the volume of both the recorded and added audio track, and control the playback speed for audio and video.

When you dive into ProCam 6's camera features, the list is a bit hit or miss. You can control your shutter speed, ISO, and exposure; use one of nine aspect ratio guides (1:1, 4:3, 1.85:1, 1.91:1, 2:1, 2.20:1, 2.35:1, 2.40:1, and 2.45:1); use the side volume buttons to start and stop a recording; use a video timer for up to 60 seconds; and apply tilt indicators and overlay guides (rule of thirds, grid, and the golden spiral phi layout, the last of which has four orientations).

You can also control EIS; take photos in video mode; choose which lenses to use; and shoot time-lapses (with one image every second or every 5 minutes, with 298 more options in between at one-second intervals). Not too shabby, right? It also adjusts the frequency depending on whether you're shooting under 50 or 60 Hz lighting.

However, many features are missing here. You can't create presets; set automated focus, zoom, ISO, or shutter speed; crop to your aspect ratio; shoot in video-only mode; prevent accidental starts and stops; shoot in anamorphic mode (which means no de-squeeze either); flip or rotate the screen; or switch lenses automatically. There are no integrated accessories, nor is there a remote app unless you have an Apple Watch.

Unlike all other apps on this list, ProCam 6 does not let you hide any on-screen elements when filming, so the interface could block some areas of the scene.

Live analytics is also a loss for ProCam 6. There are no options to view zebra stripes, image clipping, focus peaking, false colors, or histograms of any kind. If you're looking for this type of professional information, you'll need to look elsewhere.

ProCam 6 shoots with a standard gamma curve with no option to shoot in others. There are limited white balance controls, where you can only choose auto or select a spot from 2,000 K to 10,000 K and lock your setting, and you can't adjust the temperature color or tint of your video independently. You can, however, customize the UI color, if that's your interest.

ProCam 6 comes with a standard audiometer and audio clipping indicator, but no control over audio format options, sample rates, or internal mics. If you need to shoot in HEVC, you're in luck because the app only shoots in this format. Those of you looking to shoot in H.264 or change the bit rate will need to find another app, though, if you try out the 4K Max in-app purchase, it will up the bit rate to 150 Mbps from 50 Mbps.

ProCam 6 really excels with system functions. The app is optimized for all iPhones, to ensure proper on-screen formatting, and you have access to a "Video" option in 3D Touch, home screen Quick Actions to instantly open in video mode. There are Siri Shortcuts here, an Apple Watch app, and optional geotagging settings. You can control the brightness of the display only while in time-lapse mode, and you can auto-save footage to the "Camera Roll" album.

For resolution, you can shoot in either 480p, 720p, 1080p, or 4K resolution, and the frame rate for each ranges from 24 fps to 240 fps, but not all resolutions support each frame rate. You can see which applies to which in the chart. ProCam 6 does not let you select a frame rate beyond the preset options, nor a playback frame rate.

3. ProCamera.

ProCamera is a similar alternative to ProCam 6. Both apps cost $7.99, with no free version or trial, which in turn means no watermark. Both apps are frequently updated and offer in-app purchases. ProCamera suggests you buy "Private Lightbox," a $0.99 security option that saves your footage in a Touch ID or Face ID-protected folder.

The apps continue their similarities in their lack of camera features. With ProCamera, you cannot create presents; set an automated focus, zoom, ISO, or shutter speed; shoot in video-only mode; use anamorphic mode (or de-squeeze anamorphic video); flip or rotate the viewfinder; use integrated accessories; or use a remote control app.

Unlike ProCam 6, in ProCamera, you also cannot use a video timer; control ISO or shutter speed independently; shoot time-lapse videos, or perform any video editing. As for aspect ratio guides, you only get the standard 16:9 ratio, which means there is no cropping to other ratios.

ProCamera, however, lets you control exposure, start and stop recording with the volume buttons, take photos in video mode, control EIS, and pick which lens to use. There's also a tilt indicator you can use, as well as three different overlay guides for the standard grid, rule of thirds, and golden ratio.

When you start recording, ProCamera will automatically hide on-screen elements for distraction-free filming. However, that may be a negative if you want to actually see some data when filming, and there's no way to turn the auto-hide setting off. And there is no setting to prevent accidental starts and stops, which helps avoid accidentally cutting a take short or recording unintended footage.

The app also offers focus peaking, giving you greater control over manual focus. But like ProCam 6, sadly, ProCamera skimps on zebra stripes, image clipping, false colors, and all histograms. But it does adjust the frequency depending on whether you're shooting under 50 or 60 Hz lighting.

ProCamera does beat out ProCam 6 when it comes to temperature, color, and tone settings, as it allows you to control white balance, temperature color, and tint. For white balance, there's the standard auto setting, or you can choose from 2,500 K to 8,500 K and lock it in place, and there's also an option to long-press on a gray card you have in front of the camera to calibrate it. There's no UI color customization, however, nor are there gamma curves other than the standard.

There's an audiometer with audio clipping indicator, but no options for audio formatting, sample rates, or internal mics, nor can you adjust the bit rate of your video. However, you can shoot in either HEVC or H.264, which is always good to see in a professional app.

You'll find the same system functions in ProCamera that you do in ProCam 6. The app is optimized for iPhone X and newer models, with a "Video" option in 3D Touch Quick Actions on the home screen, as well as Siri Shortcuts. There's also an Apple Watch app and optional geotagging, and the ability to save your footage directly to the "Camera Roll" album. What's missing is the ability to control the screen brightness in-app, but to many, that won't be a huge sacrifice.

For resolution, you can shoot in either 480p, 720p, 1080p, or 4K resolution, and the frame rate for each ranges from 24 fps to 240 fps, but not all resolutions support each frame rate. You can see which applies to which in the chart. ProCamera does not let you select a frame rate beyond the preset options, nor a playback frame rate.

4. Moment – Pro Camera

Moment is at its best when using its own professional-level iPhone lenses. Moment produces smartphone cases built to work with its lenses, which in conjunction work seamlessly with the app. More on that later. But that's not all that makes Moment a great video recorder.

Let's talk pricing: Moment used to have a free version, as well as a seven-day trial for the pro version, but as of version 3.9, it's strictly a paid app at $5.99. However, anyone who has the free version installed and updates to 3.9 will automatically get the pro version for free. That's a pretty sweet deal if you have an older version installed already.

If you're coming from the Filmic Pro section above, you might be a bit disappointed with Moment's selection of features, but that's not to say that the app isn't feature-filled.

Moment comes with shutter speed, ISO, and exposure control; a choice between 50 and 60 Hz lighting; an anamorphic mode with the option to de-squeeze to a saved file; an overlay guide for the rule of thirds, square videos, or the golden ratio; EIS control; lens choice; zebra strips, image clipping, and focus peaking; volume button support to start and stop recording; and integrated accessories (Moment's lenses). As for aspect ratio guides, you only get the default 16:9 look, but with the overlay button, you can also get a 1:1 square overlay to guide you.

On Amazon: Moment 1.33x Anamorphic Lens for iPhone

However, there's a long list of Filmic Pro features not present. There are no custom presets; editing tools; automated focus, zoom, ISO, or shutter speed abilities; options to crop to the aspect ratio; video-only mode; flip or rotate option; tilt indicator; taking photos in video mode; or time-lapse recording. There's also no companion remote control app, and you won't find a video timer, nor will you find a way to prevent accidental start and stops.

While there are no settings for hiding or unhiding elements on the screen during recording, Moment will automatically hide unneeded interface parts when you tap the record button, so you can see your scene in full view.

The missing features don't stop there. You won't find false colors visuals. Moment does include histograms, featuring composite/RGB and waveform options, but it lacks Filmic Pro's luminosity graph. You'll find default, flat, and log gamma curves, as well as manual white balance. As for temperature color, tint, or UI color control, you won't find that with Moment.

Moment gives you an audiometer and, subsequently, an audio clipping indicator. You don't, however, have any control over the audio formats, sample rates, or internal mics. What you do have control over is whether to shoot in HEVC or H.264, and you can choose your favored bit rate, either standard, medium, or high.

You'll find that Moment is perfectly optimized for iPhone X and newer devices so that no content will hide behind your notch. You don't have 3D Touch Quick Actions on the home screen, but Moment does support Siri Shortcuts, an Apple Watch app that can act as a remote control, optional geotagging, and auto-saving to the "Camera Roll" album. There's no option to control brightness in-app but, as you can see, there are plenty of pros to cancel out that con.

For resolution, you can shoot in either 720p, 1080p, or 4K resolution, and the frame rate for each ranges from 24 fps to 240 fps, but not all resolutions support each frame rate. You can see which applies to which in the chart. Moment does not let you select a frame rate beyond the preset options, nor a playback frame rate.

5. ProMovie Recorder

ProMovie Recorder's greatest asset is its price tag. First, it's the only app on this list to offer a free version. Best of all? The features between both the free and the paid version of the app are the same. So why give ProMovie any money? Well, you may be discouraged to see a giant watermark pasted on your videos. The solution? Pay the $2.99 fee to remove the watermark or buy the app right away for $2.99. Why not — even with the paid version, it's the cheapest app on this list.

However, there are some immediate drawbacks. ProMovie Recorder doesn't have a free trial, nor is it frequently updated. At the time of this article, ProMovie Recorder hasn't been updated in about 17 months. If you happen to run into any bugs, don't expect the ProMovie team to be patching it for some time, if at all.

While you can't create presets in ProMovie Recorder, you can control shutter speed, ISO, and exposure, and it adjusts the frequency depending on whether you're shooting under 50 or 60 Hz lighting.

Filmic Pro's automated focus, zoom, ISO, and shutter speed features are nowhere in ProMovie Recorder, but you do have access to 12 aspect ratio guides of 1:1, 4:3, 1.37:1, 3:2, 15:9, 16:9, 1.85:1, 2.00:1, 2.20:1, 2.35:1, 2.40:1, and 2.55:1. However, all video will record at 16:9 or 4:3, depending on how you want to shoot, so you'll need to do any cropping outside of the standard 16:9 and 4:3 options yourself in a video editor. There's also no video-only mode, video timer, or editing tools.

In happy news, you can start and stop recording via the side volume buttons via an advanced setting, as well as enable a lock to prevent accidental starts and stops when recording. Also, the app has support for an anamorphic mode, but you can't de-squeeze the video in-app. You can flip or rotate the video feed if needed, and there's both a tilt indicator and rule-of-thirds overlay guide to help you line up your frame. There's even "advanced" EIS in addition to standard EIS, claimed to give you a little extra stability over normal EIS, but we can't tell how much of an impact it has.

There are some nice options for hiding elements on the screen during recording. First, there's a view where the image fills up most of the screen with all the tools and elements overlayed on top of the scene. Second, there's another one that shrinks the scene down into the middle so that the tools and elements will not obstruct the scene view. Third, there's an option called "Full Screen Mode" which fills the scene up like in the first option, but which hides many of the on-screen elements. There's also a toggle in the settings that lets you disable the remaining camera info displayed on the screen, but if you keep this on, there's an "Auto-Hide" setting you can choose at different intervals that will hide everything on the screen except the scene during filming, even the record/stop button.

You can't take photos in video mode, nor can you produce a time-lapse, but you can choose which lens to use, and the app supports automatic lens switching. Unfortunately, there's no integrated accessories, no remote control app, nor any of the live analytics you might like to see, such as zebra stripes, image clipping, focus peaking, false colors, or histograms.

ProMovie Recorder shoots with a standard gamma curve, with no option to change it. You can control white balance by hand from between 2,500 K to 9,000 K, use the auto mode, choose between five presets, or calibrate with a gray card. You can't change the video's temperature color or tint independently, however, but you can alter the UI color customization if you'd like.

The app also comes with some decent audio features. Staple additions like the audiometer and audio clipping indicator are here, but, like Filmic Pro, you can also choose from audio format options (PCM and AAC) and your sample rate (44.1 and 48 kHz). Filmic Pro might have one more option in each category, but it's still nice to see ProMovie Recorder put in the effort here. However, you cannot pick a specific internal mic to record audio with.

ProMovie Recorder does allow you to shoot in either HEVC or H.264, whatever is more appropriate for your workflow, and it lets you select between five bit rates, either 5, 10, 15, 20, or 100 Mbps. Sadly, the app isn't optimized for Face ID devices, meaning the notch blocks options and menus. There are no 3D Touch quick actions on the home screen, Siri Shortcuts, or geotagging here, which feels like ProMovie Recorder spent more time on the "pro movie" features than iOS system functions, which I think most users would prefer anyway.

ProMovie Recorder does have an Apple Watch app, and you can control the brightness in-app, but you don't have the option to auto-save your footage to the Photos app. If you want to get your video off ProMovie Recorder, you'll need to go through its media viewer first.

For resolution, you can shoot in either 720p, 1080p, or 4K resolution, and it also gives you some non-standard 2K and 3K options at 2048 x 1152 and 3264 x 1836, respectively. The frame rate for each ranges from 24 fps to 240 fps, but not all resolutions support each frame rate. You can see which applies to which in the chart. ProMovie Recorder does not let you select a frame rate beyond the preset options, nor a playback frame rate.

In Conclusion

When it comes to professional video recording apps on your iPhone, there's no better choice than Filmic Pro. It offers the most features for controlling your recording, especially if you're someone with a professional background. Automated controls, expanded gamma curves, and so much more add up to an app that can produce a feature film.

However, Filmic Pro is expensive, and if you're someone new to the video game or someone who would rather put that money elsewhere, the other names on this list are capable as well. Moment stands out since you can pair its app with its lenses, but ProMovie Recorder, ProCam 6 and ProCamera all have their place for consumer shooting.

Which app on this list is the best? Filmic Pro. Which app is best for you? That's up to you to decide.

This article was produced during Gadget Hacks' special coverage on smartphone-based video creator tips for filming and editing. Check out the whole Videography series.

Don't Miss: How to Save YouTube Videos Directly to Your iPhone's Camera Roll

Cover image and screenshots by Jake Peterson/Gadget Hacks


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